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Beyond the Matrix Part II: A Sculptural Exhibition by Jodie Carey, Supported by the Association of Women in the Arts

September 2024 – February 2025

woman walking among sculptures in office building

This September, Brookfield Properties, in collaboration with AWITA (Association of Women in the Arts), presents part two of ‘Beyond the Matrix’ at 100 Bishopsgate.

This sculptural exhibition is on view from September 2024 – February 2025, and is free and open to all, Monday through Friday from 9AM - 6PM.

Artist Amelia Bowles, curated by Gilliam Jason Gallery, introduces ‘Komorebi,’ a series of site-specific, colorful, and ever-changing sculptures. These new works explore the relationships between space, mass, and materiality in 100 Bishopsgate’s glass-fronted, geometric atrium. The exhibition is open to tenants, city workers, and the wider community. The sculptures reflect the Japanese phenomenon called ‘Komorebi’, which describes sunlight filtering through trees in a forest. The sculptures weave light and shadow through bands that flow like ribbons.

This curatorial partnership continues Brookfield Properties and AWITA’s commitment to the visual arts and our support for female creatives.

Beyond the Matrix Part I: A Sculptural Exhibition by Jodie Carey

Part I of Beyond the Matrix was on view at 100 Bishopsgate from March- September 2024 and consisted of three series of installations by British artist, Jodie CareyStand (2017), Found (2018), and Untitled (a woven tapestry).

These works at 100 Bishopsgate invited viewers into a contemplative dialogue with the materials and processes employed. Over the past decade, Jodie Carey has explored the universal human urge to make an impression on our surroundings. Through site-responsive sculptural installations, Carey’s work adopts culturally universal, age-old artistic methods of creation, often evoking ritualistic or primitive traditions. Her work emphasizes the relationship between object making and commemoration, whilst also looking to the physical world as a repository of material memory.

READ: Press coverage of the exhibition in Art Plugged.